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This title provides an enquiry into the sacramental theology of Chauvet, Heidegger and Benedict XVI. Chauvet is the voice of contemporary Catholic sacramental theology. His ideas are assimilated by students of theology (particularly, the liturgy) throughout the French and English speaking world more or less without critical appraisal. This is because his major work Symbole et Sacrement is interdisciplinary, moving from a scholastic theological view of sacraments, through a philosophical enquiry both into Heidegger's thought and into theorists of language, to a consideration of anthropology and
Sacramentals. --- Catholic Church --- Liturgy.
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"Icons and the Liturgy, East and West: History, Theology, and Culture is a collection of nine essays developed from papers presented at the 2013 Huffington Ecumenical Institute's symposium "Icons and Images," the first of a three-part series on the history and future of liturgical arts in Catholic and Orthodox churches. Catholic and Orthodox scholars and practitioners gathered at Loyola Marymount University to present papers discussing the history, theology, ecclesiology, and hermeneutics of iconology, sacred art, and sacred space in the Orthodox and Catholic traditions. Nicholas Denysenko's book offers two significant contributions to the field of Eastern and Western Christian traditions: a critical assessment of the status of liturgical arts in postmodern Catholicism and Orthodoxy and an analysis of the continuity with tradition in creatively engaging the creation of sacred art and icons. The reader will travel to Rome, Byzantium, Armenia, and Chile, among other countries, to see how Christians of yesterday and today experience divine encounters through icons. Theologians and students of theology and religious studies, art historians, scholars of Eastern Christian Studies, and Catholic liturgists will find much to appreciate in these pages. Contributors: Nicholas Denysenko, Robert Taft, S.J., Thomas M. Lucas, S.J., Bissera V. Pentcheva, Kristin Noreen, Christina Maranci, Dorian Llywelyn, S.J., Michael Courey, Andriy Chirovsky"--
Orthodox Eastern Church --- Catholic Church --- Liturgy and architecture --- Liturgy and art --- Icons --- Liturgy --- Liturgy --- Cult --- Catholic Church --- Orthodox Eastern Church --- Liturgy --- Liturgy
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Presenting new insights into the history and interaction between Jewish and Christian liturgy and worship, the various contributions offer a deeper understanding of the identity of Judaism and Christianity. It addresses issues such as: – Is the Eucharistic Prayer a ‘Berakha’ and what information is available for the reconstruction of the history of the Jewish ‘Grace after Meals’? – How does Jewish liturgy rework the Bible, and are Christians and Jews using similar methods when they create liturgical poetry on the basis of a biblical text? – Which texts of the Cairo Genizah are of direct importance for the history of Christian liturgies, and are Christian creeds in fact Prayers or Hymns? – What does it mean that both Jews and Christians recite Isaiah's 'Holy, Holy, Holy' at important points in their respective liturgies? Questions like these brought together scholars and specialists from different disciplines to share their recent insights at a conference in Aachen, Germany, and to offer the reader a fascinating discourse on a broad range of aspects of Jewish and Christian liturgies.
Judaism --- Prayer --- Liturgics. --- Liturgy. --- Judaism.
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Cet ouvrage met au cœur de son propos une interrogation simple : dans l'organisation complexe de l'espace de l'église médiévale, les emplacements choisis pour les images qui ornent les murs et les objets n'offrent pas toujours la possibilité de voir celles-ci, d'en déchiffrer le contenu. Certaines semblent réservées à des groupes de l'assemblée stationnant dans des espaces spécifiques, d'autres ne sont pas visibles depuis les principales zones affectées aux fidèles ou aux clercs, d'autres encore sont situées trop haut. Le rapport, a priori évident, entre représentation et visibilité se trouve donc souvent démenti, appelant alors une nouvelle notion, celle de présence. Analyser la tension existant entre ces trois catégories - figuration, visibilité et présence - implique une étude croisée des œuvres figurées, des monuments et des sources écrites. Les notions de mobilité et de fixité permettent également de prendre en compte les multiples jeux d'échelles à l'œuvre dans ce lieu rituel qu'est l'église, impliquant des objets, des manuscrits, des dispositifs liturgiques, des gestes, des déplacements physiques, dialoguant avec un décor appliqué au corps même du monument, épousant l'immobilité de l'architecture. Les cinq chapitres thématiques qui organisent ce volume mettent en regard différents cas issus de l'Occident médiéval et de l'Orient byzantin, selon une chronologie longue (de l'Antiquité tardive à la fin du Moyen Âge), dans une volonté de décloisonner les disciplines et les aires géographiques afin de tirer tous les enseignements d'une approche transversale de l'image médiévale.
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"Icons and the Liturgy, East and West: History, Theology, and Culture is a collection of nine essays developed from papers presented at the 2013 Huffington Ecumenical Institute's symposium "Icons and Images," the first of a three-part series on the history and future of liturgical arts in Catholic and Orthodox churches. Catholic and Orthodox scholars and practitioners gathered at Loyola Marymount University to present papers discussing the history, theology, ecclesiology, and hermeneutics of iconology, sacred art, and sacred space in the Orthodox and Catholic traditions. Nicholas Denysenko's book offers two significant contributions to the field of Eastern and Western Christian traditions: a critical assessment of the status of liturgical arts in postmodern Catholicism and Orthodoxy and an analysis of the continuity with tradition in creatively engaging the creation of sacred art and icons. The reader will travel to Rome, Byzantium, Armenia, and Chile, among other countries, to see how Christians of yesterday and today experience divine encounters through icons. Theologians and students of theology and religious studies, art historians, scholars of Eastern Christian Studies, and Catholic liturgists will find much to appreciate in these pages. Contributors: Nicholas Denysenko, Robert Taft, S.J., Thomas M. Lucas, S.J., Bissera V. Pentcheva, Kristin Noreen, Christina Maranci, Dorian Llywelyn, S.J., Michael Courey, Andriy Chirovsky"--
Icons --- Liturgy and art --- Liturgy and architecture --- Cult --- Catholic Church --- Orthodox Eastern Church --- Liturgy
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"This study examines the collects assigned to the Sundays and major feasts of the proper seasons in the ordinary and extraordinary forms of the Roman rite. The Latin collects assigned to each day in the typical editions of the respective missals are compared and contrasted both with their respective sources and with one another. Pertinent discussions and decisions of the Consilium study groups responsible for the post-Vatican II revisions of the liturgical calendar and Mass collects are also presented and considered. The goal of the study is to determine whether the two sets of collects present the same picture of the human situation, approach God in the same way, seek the same things from him, and, where they do not, to identify significant changes in theological and/or spiritual emphases."--Bloomsbury Publishing.
Collects --- Missals --- History. --- Catholic Church --- Liturgy
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Catholic Church. --- Francis, --- Catholic Church --- Liturgy.
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Long description: Die Eucharistie gilt als Mitte des christlichen Lebens. Dafür zeigen die alten Liturgien eine Form, die auch die „Waisen und Unmündigen verstehen konnten: Aufrichtung der Herzen zu Gott, Dank für Jesus Christus, der in der Feier zu seiner Gemeinde kommt und zur Wiederholung seines letzten Mahls auffordert, weswegen die Gemeinde Brot und Wein nimmt und um den verwandelnden Segen bittet, auf dass alle Anteil gewinnen an Tod und Auferstehung Jesu. Die vorliegende Untersuchung verfolgt Verständnis und Praxis des Mittelalters und fragt, ob und wie hier eine organische Liturgieentwicklung vorliegt und in wieweit sich daraus Reformanstöße ergeben.
Mass --- Lord's Supper (Liturgy) --- Offertories --- History
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